VIAMAP Links
Institutional Links:
- The CERMAA website
- Praat: doing phonetics by computer website
- Wim van der Meer’s tutorial “Praat manual (for musicologists)“.
- The Music in Motion website.
Amine Beyhom’s publications concerning the use of Praat and the VIAMAP:
In French
- Amine Beyhom avec Jeanne Miramon-Bonhoure: “Manuel Praat Pour débutants“.
- Diapositive finale (Power Point)
- Son (Bismillah.wav)
- Amine Beyhom: “Dossier : Influence des théories européanisées du xixe siècle sur la notation et la pratique des modes de la musique arabe et d’autres musiques, à travers la mise en exergue du mythe du genre ḥijāz semi-tonal,” Near Eastern Musicology Online 2 3 |2014-11| p. 87–177.
- Power Point show for the dossier (59 MB)
- Amine Beyhom:“Étude musicologique de Fransezan (de Marie-Josée Bertrand, chanteuse bretonne)“, CD DAS 156, publications Dastum, Rennes (France), 2008, p. 44-53 [An analysis of the particularities of the singing of Mme Bertrand, a singer in Brittany – France, pdf format, 1.0 MB]
- Amine Beyhom:“Dossier : Mesures d’intervalles – méthodologie et pratique”, Revue des Traditions Musicales des Mondes Arabe et Méditerranéen (RTMMAM n°1), publications de l’ISM-UPA, Baabda – Liban, 2007, p. 181-23. Power Point show for the dossier (38MB)
In English
- Amine Beyhom and Hamdi Makhlouf: 2021, “A VIAMAP exploration of the Tunisian ṭubūʿ“, CTUPM, [URL: http://ctupm.com/en/a-viamap-exploration-of-the-tunisian-tubu/]
- Amine Beyhom: “Further Analyses from the VIAMAP,” Near Eastern Musicology Online 6 10 |2021-11(04)| p. 5–36.
- Additional material:
- Four video analyses:
- Video Analysis no. 1 (YouTube publication) of a taqsīm (improvisation) by Kudsi Erguner on (Turkish) nāy in maqām Ḥijāz
- Video Analysis no. 2 (YouTube publication) of Inés Bacán’s martinete “Y a la Puerta Llaman”
- Video Analysis no. 3 (YouTube publication) of “Las Doce Acaban de Dar” – Martinete, sung by El Camarón de la Isla
- Video Analysis no. 4 (YouTube publication) of Pepe de la Matrona’s martinete “Cante del Yunque”
- Two explicative videos:
- “What you see is what you get (If you know where to look)” (YouTube publication) highlights the minute-inflexions to the melodic line which are sometimes perceived as the effective pitch by the auditor
- “Few indicators for Vocal and Musical techniques of ‘Cante Jondo‘ used in the video analyses of the CERMAA for the VIAMAP series” (YouTube publication) highlights the multiplicity of vocal techniques used by proficient Cante Jondo performers such as Pepe de la Matrona
- Four video analyses:
- Additional material:
- Amine Beyhom: “Theory and Practice of Psaltiki: Why do they not coincide?,” in 3rd International Musicological and Psaltic Conference «…ἐν ἐπιγνώσει ὑμνοῦντάς Σε…» (= chanting consciously in praise to Thee) Prerequisites and Skills for Sacred Chanting in Orthodox Worship Τετάρτη 30 Μαΐου – Σάββατο 2 Ἰουνίου 2018 Συνεδριακὸ Κέντρο «Θεσσαλία» – Μελισσιάτικα Βόλου |Volos (Greece), 2020-12| p. 629-669.
- Accompanying Material (Video slides) available at videos-for-the-article-theory-and-practice-of-psaltiki-why-do-they-not-coincide
- Amine Beyhom: ““Byzantine Chant Theory and Practice in the Light of Ancient Greek Music Theory and Occicentrism”, Series Musicologica Balcanica Vol 1 |2020-8-31| [doi: 10.26262/SMB.V1I1.7629. url: http://ejournals.lib.auth.gr/smb/article/view/7629] p. 56-85.
- Accompanying Material (Video slides) available at https://ejournals.lib.auth.gr/smb/rt/suppFiles/7629/0
- Amine Beyhom: “The Lost Art of Maqām – With four video analyses of performances by Evelyne Daoud, Neyzen Tewfik, Hamdi Makhlouf, and by ʿAlī Maḥmūd and Sāmī a-sh-Shawwā,” Near-Eastern Musicology Online 5 8 |2019-11| p. 5–64.
- Accompanying material:
- One video analysis of Yā Nasīm a-ṣ-Ṣabā performed by ʿAlī Maḥmūd and violinist Sāmī a-sh-Shawwā with an additional third-tempo version (see also below)
- Three previously published video analyses:
- Video analysis of “Akh tagorye hʾashyrie” (Syriac Orthodox Chant) sung by Evelyne Daoud
- Video analysis of an improvisation for the ʿūd played in maqām Ṣabā by Hamdi Makhlouf
- Video analysis in 3D of a Huseynî Taksim performed by Neyzen Tevfik
- Slide-projection based video explaining heterophony through the use of audio editing and mixing tools with four extracts from songs
- Accompanying material:
- Amine Beyhom: “MAT for the VIAMAP – Maqām Analysis Tools for the Video Animated Music Analysis Project,” Near Eastern Musicology Online 4 7 |2018-11| p. 145–256.
- Additional material:
- Power Point Show proposing various graphic analyses
- 41 video-analyses of various songs, all available on the CERMAA Channel (https://www.youtube.com/channel/UCMkvejmjkX181SR-zXfZsbw/videos) and including:
- Video-analysis of Hurrian Song no. 6 adapted by Richard Dumbrill/Amine Beyhom/Rosy Beyhom and performed by Lara Jokhadar (also available on the CERMAA Channel)
- Video-analyses of Byzantine chants (http://foredofico.org/CERMAA/analyses/byzantine-chant):
- Kyrie Ekekraxa by Petros Byzantios (20 video-analyses including half-tempo analyses)
- Axion Estin by Anonymous (14 video-analyses including template and half-tempo analyses)
- Video-analyses of Arabian Maqām music (http://foredofico.org/CERMAA/analyses/maqam-analysis):
- Seven Maqāmāt by reciter Muḥammad al-Ghazālī (with a half-tempo version)
- Ahlan bi-Ghazālin performed by sheikh ʿAlī Maḥmūd (with a half-tempo version)
- One video-analysis of a Breton song (from Brittany in France): http://foredofico.org/CERMAA/analyses/breton-music): Ar bern plouz (traditional) performed by Breton singer Manu Kerjean (with a third-tempo version)
- Additional material:
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