Chronology

The video analyses are listed by the overall chronological rank of the video (by date of making, rather than of publication), from earliest to latest.

• 1: HURRIAN SONG 6 (H6) Arranged by Richard Dumbrill, Amine Beyhom and Rosy Azar Beyhom, performed by Lara Jokhadar; uploaded 15/02/2018
• 2: Kyrie Ekekraxa in Arabic by fr. Makarios Haidamous (published 16/02/2018)
• 3: Kyrie Ekekraxa in Greek by fr. Makarios Haidamous (published 19/02/2018)
• 4: Kyrie Ekekraxa in Arabic by an Anonymous Cantor (published 19/02/2018)
• 5: Kyrie Ekekraxa in Greek by an Anonymous Cantor (published 19/02/2018)
• 6: Kyrie Ekekraxa in Arabic by fr. Nicolas Malek (published 22/02/2018)
• 7: Kyrie Ekekraxa in Greek by fr. Nicolas Malek (published 22/02/2018)
• 8: Kyrie Ekekraxa in Arabic by Joseph Yazbeck (abridged – published 26/02/2018)
• 9: Kyrie Ekekraxa in Greek by Joseph Yazbeck (abridged – published 26/02/2018)
• 10: Ahlan bi-Ghazālin by sheikh ʿAlī Maḥmūd (uploaded 09/10/2018)
• 11: Ahlan bi-Ghazālin by sheikh ʿAlī Maḥmūd – Half-tempo (uploaded 09/10/2018)
• 12: Axion Estin by an Anonymous Cantor (recorded 25/06/2018 by Rosy Beyhom with Zoom H2 in Broummana – Lebanon; uploaded 09/10/2018)
• 13: Axion Estin by Emmanouil Giannopoulos (recorded 31/05/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 09/10/2018)
• 14: Axion Estin by fr. Makarios Haidamous (recorded 06/06/2018 by the performer in Dayr al-Mukhalliṣ – Lebanon; uploaded 09/10/2018)
• 15: Axion Estin by fr. Nicolas Malek – Alternate take (recorded 24/06/2018 by Rosy Beyhom with Zoom H2 in Broummana – Lebanon; uploaded 09/10/2018)
• 16: Axion Estin by fr. Nicolas Malek (recorded 24/06/2018 by Rosy Beyhom with Zoom H2 in Broummana – Lebanon; uploaded 09/10/2018)
• 17: Axion Estin by Ioannis Tomas (recorded 31/05/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 09/10/2018)
• 18: Axion Estin by Joseph Yazbeck (recorded 08/06/2018 by Rosy Beyhom with Zoom H2 in Broummana – Lebanon; uploaded 09/10/2018)
• 19: Axion Estin by Mikhail Stroumpakis (recorded 01/06/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 09/10/2018)
• 20: Axion Estin by Nikolaos Siklafidis (recorded 31/05/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 09/10/2018)
• 21: Axion Estin by Rosy Beyhom (recorded 14/06/2018 by Rosy Beyhom with Zoom H2 in Broummana – Lebanon; uploaded 09/10/2018)
• 22: Axion Estin, template analysis of audio output by programs MUS2 & Cubase – Half-tempo (uploaded 09/10/2018)
• 23: Axion Estin, template analysis of audio output by programs MUS2 & Cubase (uploaded 09/10/2018)
• 24: Axion Estin, template analysis of audio output by programs MUS2 & Cubase – Half-tempo (R to L) – (uploaded 09/10/2018)
• 25: Axion Estin, template analysis of audio output by programs MUS2 & Cubase (R to L) – (uploaded 09/10/2018)
• 26: Kyrie Ekekraxa in Arabic by an Anonymous Cantor (V2 uploaded 10/10/2018)
• 27: Kyrie Ekekraxa in Arabic by an Anonymous Cantor (V2) in Half-tempo uploaded 10/10/2018)
• 28: Kyrie Ekekraxa in Arabic by Bachir Osta (uploaded 10/10/2018)
• 29: Kyrie Ekekraxa in Arabic by Bachir Osta in Half-tempo (uploaded 10/10/2018)
• 30: Kyrie Ekekraxa in Greek by an Anonymous Cantor (V2 uploaded 10/10/2018)
• 31: Kyrie Ekekraxa in Greek by an Anonymous Cantor (V2) in Half-tempo (uploaded 10/10/2018)
• 32: Kyrie Ekekraxa in Greek by Bachir Osta (uploaded 10/10/2018)
• 33: Kyrie Ekekraxa in Greek by Emmanouil Giannopoulos (recorded 31/05/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 10/10/2018)
• 34: Kyrie Ekekraxa in Greek by Ioannis Tomas (recorded 31/05/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 10/10/2018)
• 35: Kyrie Ekekraxa in Greek by Mikhail Stroumpakis (recorded 01/06/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 10/10/2018)
• 36: Kyrie Ekekraxa in Greek by Nikolaos Siklafidis (recorded 31/05/2018 by Rosy Beyhom with Zoom H2 in Volos – Greece; uploaded 10/10/2018)
• 37: Seven Maqāmāt by Muḥammad al-Ghazālī – Half-tempo (uploaded 10/10/2018)
• 38: Seven Maqāmāt by Muḥammad al-Ghazālī (uploaded 10/10/2018)
• 39: “Ar bern plouz” chanté par Manu Kerjean à Bonen (22) éd. Dastum: Manu Kerjean Chanteur du Centre-Bretagne DAS153 (piste 15); uploaded 11/10/2018
• 40: “Ar bern plouz” chanté par Manu Kerjean à Bonen (22) éd. Dastum: Manu Kerjean Chanteur du Centre-Bretagne DAS153 (piste 15 – Tempo = 1:3); uploaded 11/10/2018
• 41: Kyrie Ekekraxa in Greek by Bachir Osta in Half-tempo (uploaded 24/10/2018)
• 42: Jorj Botuha – Sonor and Instrument maker: “Paotred er gueù à bleuigner” (2003) recorded by Amine Beyhom; uploaded 14/12/2018
• 43: “Greis mad pier gali galan” performed by Jorj Botuha – Sonor and Instrument maker – on the 13^th of September 2003 in Auray – France (Brittany), recorded by Amine Beyhom; uploaded 17/12/2018
• 44: Improvisation in maqām Ṣabā on ʿūd by Hamdi Makhlouf (video updated on 19/11/12), recorded by Amine Beyhom on the 16^th of March 2005 in Paris – France; Original post with explanations
• 45: ‎“Like the Merchants” “Akh tagorye hʾachirye” ‎(Syriac repertoire) performed by Evelyne Daoud (uploaded 12/01/2019, updated V. 1.1 22/01/2019; dedicated post
• 46: ‎Imagine: A Scientific Fantasy – or Video-Analysis from 2D to 3D on the example of a Huseynî Taksim performed by Neyzen Tevfik (uploaded April 28, 2019; dedicated post
• 47: HURRIAN SONG 6 (H6) in 3D. Arranged by Richard Dumbrill, Amine Beyhom and Rosy Azar Beyhom, performed by Lara Jokhadar; uploaded 16/02/2019
• 48: ‎“Yā Nasīm a-ṣ-Ṣabā” (1927 ODEON X 55 581-1) performed by sheikh ʿAlī Maḥmūd (Voice) & Sāmī a-sh- Shawwā (violin) (uploaded December 1, 2019)
• 49: ‎“Yā Nasīm a-ṣ-Ṣabā” (1927 ODEON X 55 581-1) in Third Tempo performed by sheikh ʿAlī Maḥmūd (Voice) & Sāmī a-sh- Shawwā (violin) (uploaded December 1, 2019)
• 50: a taqsīm (improvisation) by Kudsi Erguner on (Turkish) nāy in maqām Ḥijāz (uploaded March 28, 2021)
• 51: Inés Bacán’s martinete “Y a la Puerta Llaman” (uploaded March 28, 2021)
• 52: “Las Doce Acaban de Dar” – Martinete, sung by El Camarón de la Isla (uploaded March 28, 2021)
• 53: Pepe de la Matrona’s martinete “Cante del Yunque” (uploaded March 28, 2021)
• No number: “What you see is what you get (If you know where to look)” (uploaded March 28, 2021)
• No number: “Few indicators for Vocal and Musical techniques of ‘Cante Jondo‘ used in the video analyses of the CERMAA for the VIAMAP series” (uploaded March 28, 2021)
• 54: Analysis 1: The ṭabʿ a-r-Rahāwī by Muḥammad Ghānim on rabāb, then ṭabʿ a-dh-°Dhīl° by °Khmayyis° Tarnān on ʿūd °ʿarbī° (CDC HC 50a – published May 26 2021)
• 55: Analysis 2: The ṭabʿ al-ʿIrāq by Muḥammad Ghānim on rabāb, then ṭabʿ a-s-Sīkā by °Khmayyis° Tarnān on ʿūd °‎ʿarbī° (CDC HC 50b, published May 26 2021)
• 56: Analysis 3: The ṭabʿ a-r-Rāṣd by Muḥammad Ghānim on rabāb, then ṭabʿ °Raml° al-Māyā ‎ by °Khmayyis° Tarnān on ʿūd °‎ʿarbī° (CDC HC 51b, published May 26 2021)
• 57: Analysis 4: The ṭabʿ a-n-Nawā by Muḥammad Ghānim on rabāb, then ṭabʿ al-°Iṣbuʿīn° by °Khmayyis° Tarnān on ʿūd °‎ʿarbī° (CDC HC 52a, published May 26 2021)
• 58: Analysis 5: The ṭabʿ Rāṣd a-dh-°Dhīl° by Muḥammad Ghānim on rabāb, then ṭabʿ a-r-Ramal by °Khmayyis° Tarnān on ʿūd °‎ʿarbī° (CDC HC 52b, published May 26 2021)
• 59: Analysis 6: The ṭabʿ al-Iṣbahān‎ by Muḥammad Ghānim on rabāb, then ṭabʿ al-Mazmūm by °Khmayyis° Tarnān on ʿūd °‎ʿarbī° (CDC HC 53a, published May 26 2021)
• 60: Analysis 7: The ṭabʿ al-Māyā by Muḥammad Ghānim on rabāb, then ṭabʿ al-°Mḥayyar°-Sīkā by °Khmayyis° Tarnān on ʿūd °‎ʿarbī° (CDC HC 53b, published May 26 2021)